A house, not a hotel.
The tone paints the ground. The photograph is the overlay at 0.16, so the tint is --bg and follows the skin.
You will be met by name.
Copy left, the right half deliberately empty so the photograph has somewhere to be.
Wake up to a working quay.
Same pattern, mirrored. A copy-position axis, not a second section.
Breakfast moves out here from May.
The same mechanism on a light tone. Dark is the common choice, not the only one.
Legible without dimming the photograph.
No overlay on the section at all. The pane carries the copy, so the image stays sharp — and it now has vertical padding.
The product stays sharp.
When the photograph is the thing being sold, do not abstract it — put the copy on solid ground beside it.
Scroll this one.
Identical to A, plus attachment: fixed on the overlay. A control, not a section.
A slideshow behind the tint.
The overlay group has no slideshow type, so the gallery goes on the base and the tint on the overlay — as var(--bg), still palette-driven.